Tactile
Tactile aphantasia is the inability to mentally recreate touch: texture, pressure, temperature. It can occur alone or alongside other missing senses.
Tactile aphantasia is the inability to mentally recreate touch: texture, pressure, temperature. It can occur alone or alongside other missing senses.
Tactile aphantasia is the inability to mentally recreate touch: texture, pressure, temperature. It can occur alone or alongside other missing senses.
People with aphantasia were more accurate but slower than controls on multimodal mental comparison tasks. This suggests that sensory cognition can be successfully achieved through propositional rather than imagistic strategies.
Suggate, S. P., Milton, F., & Tree, J. (2026). Multimodal mental comparisons in those with and without aphantasia. Neuropsychologia, 222, 109373. doi:10.1016/j.neuropsychologia.2026.109373
Aphantasia is a heterogeneous condition with distinct subtypes, including variations in voluntary control and sensory modalities. Recognizing these differences is essential for developing accurate experimental methodologies and explanations.
Nanay, B. (2025). Varieties of aphantasia. Trends in Cognitive Sciences, 29(11), 965–966. doi:10.1016/j.tics.2025.06.008
Researchers define aphantasia as the absence of voluntary sensory imagery, often extending beyond vision to other modalities. This formal definition establishes a standardized framework for classifying multisensory and global imagery deficits.
Zeman, A., Monzel, M., Pearson, J., Scholz, C. O., & Simner, J. (2025). Definition: aphantasia. Cortex, 182, 212–213. doi:10.1016/j.cortex.2024.07.019
Researchers propose defining aphantasia as the absence or reduction of voluntary sensory imagery across any modality. This unified terminology avoids a proliferation of new terms while acknowledging that imagery deficits can be specific or multisensory.
Monzel, M., Mitchell, D., Macpherson, F., Pearson, J., & Zeman, A. (2022). Proposal for a consistent definition of aphantasia and hyperphantasia: a response to lambert and sibley (2022) and simner and dance (2022). Cortex, 152, 74–76. doi:10.1016/j.cortex.2022.04.003
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