Aphantasia Logo
Back to all research
Aphantasia Logo

Building awareness and understanding of aphantasia through research, education, and community support.

About

  • What is Aphantasia?
  • What is Hyperphantasia?
  • Take Assessment
  • Getting Started
  • Newsletter
  • About Us
  • Contact

Community

  • Premium Membership
  • Find support
  • Discussions
  • Events
  • Visualize

For Professionals

  • Overview
  • Free Introduction
  • Counselor Training
  • Educator Training
  • List Your Practice
  • Pricing & Bundles

Resources

  • Articles & Stories
  • Videos & Interviews
  • Aphantasia Course
  • FAQs

Research

  • Research Library
  • Participate in Studies
  • Recruitment Services

© 2026 Aphantasia Network. All rights reserved.

  • Terms and Conditions
  • Privacy Policy
Aphantasia Logo
Back to all research
Aphantasia Logo

Building awareness and understanding of aphantasia through research, education, and community support.

About

  • What is Aphantasia?
  • What is Hyperphantasia?
  • Take Assessment
  • Getting Started
  • Newsletter
  • About Us
  • Contact

Community

  • Premium Membership
  • Find support
  • Discussions
  • Events
  • Visualize

For Professionals

  • Overview
  • Free Introduction
  • Counselor Training
  • Educator Training
  • List Your Practice
  • Pricing & Bundles

Resources

  • Articles & Stories
  • Videos & Interviews
  • Aphantasia Course
  • FAQs

Research

  • Research Library
  • Participate in Studies
  • Recruitment Services

© 2026 Aphantasia Network. All rights reserved.

  • Terms and Conditions
  • Privacy Policy
Ask AI About This Paper
Ask AI About This Paper

Musical Reasoning without a Mind’s Ear: A Comparative Case Study

DOI: 10.1080/25742442.2026.2640817
Tags:
Inner Speech
Tolman, D. (2026). Musical reasoning without a mind’s ear: a comparative case study. Auditory Perception & Cognition, 1–14. doi:10.1080/25742442.2026.2640817

Authors

  • David Tolman1

Musical Reasoning without a Mind’s Ear: A Comparative Case Study

DOI: 10.1080/25742442.2026.2640817
Tags:
Inner Speech
Tolman, D. (2026). Musical reasoning without a mind’s ear: a comparative case study. Auditory Perception & Cognition, 1–14. doi:10.1080/25742442.2026.2640817

Authors

  • David Tolman1
Aphantasia Logo

What This Study Is About

This research explores how musicians who cannot "hear" music in their minds—a condition called anauralia (auditory aphantasia)—are still able to learn, practice, and perform complex pieces. It investigates the alternative strategies these individuals use to think about sound when they lack a "mind's ear."

How They Studied It

The researcher conducted an in-depth study of musicians who report a complete absence of auditory imagery (the ability to mentally replay sounds). The study involved qualitative interviews and task-based observations to see how these musicians prepared for performances. Their experiences were compared against existing theories of musical cognition and data from "typical" imagers who can easily conjure melodies in their heads.

What They Found

The study found that musicians with anauralia do not need an internal "audio playback" to be successful. Instead, they rely on a combination of four "imagery-independent" strategies:
  • Kinesthetic scaffolding: Relying on the physical "feel" and muscle memory of playing an instrument.
  • Visual/Notational support: Using the mental or physical image of sheet music and finger patterns.
  • Verbal mediation: Using words or labels to describe musical structures.
  • Theoretical reasoning: Using an understanding of music theory to predict and organize what comes next.

What This Might Mean

This suggests that musical thinking is "multimodal," meaning it can be built from many different building blocks, not just sound. While traditional music education often tells students to "hear the note before you play it," this research indicates that such instructions may be unhelpful for those with anauralia. It highlights a need for more inclusive teaching methods that recognize different ways of processing music. However, the study notes that while these musicians are highly capable, they may feel less flexible in spontaneous situations, like jazz improvisation, where "inner hearing" is often heavily emphasized.

One Interesting Detail

The study points out that because people with anauralia often perform just as well as typical imagers on standard tests, their unique way of thinking is often "masked" or invisible to teachers and researchers until they are asked specifically about their internal experience.
This summary was generated by AI and may contain errors. Always refer to the original paper for accuracy.
Most-Cited Researchers
Top 10 researchers by number of papers published in Aphantasia
1

Joel Pearson

35
2

Merlin Monzel

30
3

Adam Zeman

20
4

Rebecca Keogh

17
5

Martin Reuter

16
6

Juha Silvanto

14
7

Paolo Bartolomeo

11
8

Carla Dance

10
9

Jianghao Liu

9
10

Fraser Milton

9
Recruit the largest aphantasia cohort on earth

97.4K+ users & subscribers across the imagery spectrum, plus 1.5M+ survey responses in our dataset. Skip the recruitment bottleneck and run your study with the community we've built for a decade.

Partner with us